Blows me away every time. Makes me want to say "zomg! best episode of the show evar!!" But..I say that for a lot of episodes. That said, if I made a top 5 list, I'd have to put this on there. And I'd consider it one episode, because it really is just split up.
It's nice to see Sinclair return, and I'm glad that O'Hare returned for this episode and there wasn't some sort of animosity. I would have hated to see Babylon Squared go unresolved. Amazing feet in television that there could be an episode that doesn't pay off til so far down the line with nothing in between as it is.
That said, they *really* pulled it off. Not just sorta. Having watched the show this many times every scene is just like "ooh!" "ooh!" "OOH!"
I liked the Sheridan/Sinclair dynamic..each are very different, and there could have been a rivalry there, but both are so secure in who they are by this point that they pair up very nicely. This epsiode benefits hugely from the comic "In Valen's Name" as well as the novel "To Dream In The City of Sorrows." They fill in so many backstory questions that we all doubtlessly have, and I suggest those reads. Very good on both parts.
JMS is really good with writing an episode to allow footage from previous episodes to intertwine, which shows his skill in keeping continuity. This one amazes me as it is, but we see it to an even greater extent in In The Beginning. Very cool tricks.
And poor Mr. Garabaldi, he starts getting left out more and more, starting at this point, and it pays off next season big when hee feels it.
Of course, the most interesting parts to the episode (other than the resolution of a prior thread) is the future scenes. We learn so much about the fate of Londo here, as well as the future of our other characters that we have to wait for. Not to mention the past bit about Sinclair. This episode really has a lot of payoffs, including Londo's vision of his own death. We see that it wasn't out of hatred, but G'Kar was really mercy killing Londo. I also like that In The Beginning ties in with the scenes here.
I've always wondered if "David is safe" referred to the Urn with the keeper. What do you guys think about that?
Time travel was done very well by JMS. Time travel usually scares me when it's done because it's so easy to abuse...*cough..enterprise...*
Everything gets nicely resolved here. Except..where the chrysalis machines *originally* come from (yes, I know they originated on epsilon 3..but how, why? ), I suppose.
Just imagine how much work this one was to write.
It's nice to see Sinclair return, and I'm glad that O'Hare returned for this episode and there wasn't some sort of animosity. I would have hated to see Babylon Squared go unresolved. Amazing feet in television that there could be an episode that doesn't pay off til so far down the line with nothing in between as it is.
That said, they *really* pulled it off. Not just sorta. Having watched the show this many times every scene is just like "ooh!" "ooh!" "OOH!"
I liked the Sheridan/Sinclair dynamic..each are very different, and there could have been a rivalry there, but both are so secure in who they are by this point that they pair up very nicely. This epsiode benefits hugely from the comic "In Valen's Name" as well as the novel "To Dream In The City of Sorrows." They fill in so many backstory questions that we all doubtlessly have, and I suggest those reads. Very good on both parts.
JMS is really good with writing an episode to allow footage from previous episodes to intertwine, which shows his skill in keeping continuity. This one amazes me as it is, but we see it to an even greater extent in In The Beginning. Very cool tricks.
And poor Mr. Garabaldi, he starts getting left out more and more, starting at this point, and it pays off next season big when hee feels it.
Of course, the most interesting parts to the episode (other than the resolution of a prior thread) is the future scenes. We learn so much about the fate of Londo here, as well as the future of our other characters that we have to wait for. Not to mention the past bit about Sinclair. This episode really has a lot of payoffs, including Londo's vision of his own death. We see that it wasn't out of hatred, but G'Kar was really mercy killing Londo. I also like that In The Beginning ties in with the scenes here.
I've always wondered if "David is safe" referred to the Urn with the keeper. What do you guys think about that?
Time travel was done very well by JMS. Time travel usually scares me when it's done because it's so easy to abuse...*cough..enterprise...*
Everything gets nicely resolved here. Except..where the chrysalis machines *originally* come from (yes, I know they originated on epsilon 3..but how, why? ), I suppose.
Just imagine how much work this one was to write.
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